Leonardo DiCaprio is Basically Captain Planet

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After a decade of Best Actor nominations with nothing to show for it, Leonardo DiCaprio finally took home a well-deserved Oscar trophy at this year’s Academy Awards. His riveting performance in The Revenant revealed a depth of talent untapped in prior roles. By portraying the character of fur trapper Hugh Glass, DiCaprio was able to connect his work as a clean-energy activist to his lifelong acting career. DiCaprio proved to the public in his acceptance speech that the passion fueling his respective projects is one and the same, and he is more than capable of succeeding at both.

27 Years in Film

DiCaprio is arguably most well-known for his performance as Jack Dawson in the famous 1997 romance film Titanic, but his acting record stretches back much further. His role as the mentally-disabled “Arnie Grape” in What’s Eating Gilbert Grape, has fallen from recent memory but remains one of his most powerful performances to date. After international fame took over in the 90’s, DiCaprio went on to star in a streak of popular films including Catch Me If You Can, Inception, and The Wolf of Wall Street. His most recent turn as Hugh Glass was the first time he chose to engage Mother Nature as a costar.

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Environmental Activism and Push for Clean Power

After thanking his family and those who worked alongside him on the film, DiCaprio took his opportunity at the podium to bring nature into the conversation. In his speech, DiCaprio stated that The Revenant crew had to travel to the most southern tip of Earth just to find snow, a problem that has arisen due to rapidly warming temperatures worldwide. He closed with the words, “Let us not take this planet for granted. I do not take tonight for granted. Thank you so very much.”

Although many are most likely more familiar with his acting career, DiCaprio’s speech wasn’t out of character. The famous actor has spent the better part of his Hollywood career as an environmental philanthropist and a tireless advocate for clean power. Ever since the 90’s, DiCaprio has educated himself about the environment and climate change and had even established his own foundation in 1998, which is dedicated to the conservation of the world’s natural places and ecosystems as well as clean energy endeavors.

In the nearly two decades since his organization was founded, DiCaprio has worked to become an established speaker at various events concerning global environmental challenges. Some of his recent accomplishments include addressing United Nations leaders about the dangers of climate change and his participation in Manhattan’s People’s Climate March, which demanded action for climate change around the world.

Leonardo DiCaprio has joined Powerhive, an energy solutions company, alongside former UK Climate Change Minister Greg Barker on their advisory board to bring clean, renewable energy in the form of solar electricity to rural communities in the developing world. He has attended a meeting with the Divest-Invest Coalition where he pledged to help end any and all involvements with the fossil fuel industry and invest more time and money into existing renewable energy companies. Traditional energy providers, long tied to the fossil-fuel powered grid, are beginning to incorporate “renewables” such as solar and wind into their overall energy mix. Today, the United States obtains approximately 10% of its power from renewable sources – but this is not enough to make a noticeable dent in the worsening effects of global climate change. As carbon emissions continue to rise, it is becoming more evident that our current energy sources are no longer sustainable for our planet. DiCaprio hopes to use his prestige to encourage the world to move away from unsustainable resource mining and firmly believes in living in a world without pollution and focusing on clean energy.

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Using Film to Spread Awareness

Taking advantage of his position in Hollywood and the film industry, DiCaprio has taken on multiple documentary projects with the goal to promote environmental conservation and renewable energy usage. In 2007, he created, produced, and narrated The 11th Hour, which addressed Earth’s problems, specifically mentioning species extinction, deforestation, and global warming and calls for action by encouraging viewers to rethink their human activity. DiCaprio executive produced Cowspiracy, which speaks about the environmental effects of raising cattle for consumption and narrated Carbon, which warns about dirty forms of energy and promotes cleaner and more sustainable forms of energy such as solar, wind, and hydro power.

Most recently, DiCaprio partnered with Netflix to produce a series of environmental documentaries under the title, Green World Rising. Their plan is to film documentaries and docu-series, focusing on environmentalism and conservation, and make them readily available for audiences around the world.

Through funding, public campaigns, and media projects, DiCaprio has worked to bring much-needed attention to the very real problem of worldwide climate change. His first Oscar win, a momentous occasion, shone a light on the need for cleaner, greener, energy. We all may not be celebrities, we but can do our part to join him and do all we can to help end our addiction to fossil fuels.

Written by Maria Rosita

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Maria is a writer interested in comic books, cycling, and horror films. Her hobbies include cooking, doodling, and finding local shops around the city. She currently lives in Chicago with her two pet turtles, Franklin and Roy.

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How Soylent Green is a Lesson for Humanity

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Soylent Green is one of the most well-known eco-horror films to arrive in the last decade, garnering a small, but devoted, fanbase thanks to its strong performances and veiled environmental messages. At this point, even those who haven’t seen the movie are aware of the twist that is the real ingredient of the green soylent product.

Indeed, even if it weren’t already common knowledge that “soylent green is people,” the circumstances described early in the film lead to suspicion that all can’t be as it seems with the supposedly vegetable protein based soylent blocks. The setting is New York City in the year 2022, after the greenhouse effect has supposedly decimated plant and animal life all over the planet, making it highly unlikely that there would be sufficient vegetable or plankton growth to sustain the supply of soylent blocks of any color.

The film was released in theaters in 1973 following the formation of the Environmental Protection Agency and the creation of Earth Day a few years earlier. Based on the novel Make Room! Make Room! by author Harry Harrison, Soylent Green takes the consequences of overpopulating our planet to more thrilling and sinister conclusions.

The movie "Soylent Green", directed by Richard Fleischer, based on the novel 'Make Room! Make Room!' by Harry Harrison. Seen here, Charlton Heston as Thorn witnessing for the first time the beauty of Earth's past, being projected for Sol. Initial theatrical release May 9, 1973. Screen capture. © 1973 Metro-Goldwyn-Mayer. Credit: © 1973 MGM / Flickr / Courtesy Pikturz. Image intended only for use to help promote the film, in an editorial, non-commercial context.

On the surface, the movie seems just another futuristic action/crime thriller story, telling of the investigation into the murder of a wealthy lawyer and businessman, an investigation assigned to the overworked and underpaid Detective Thorn, portrayed by Charlton Heston. When he finds that the murder victim was on the board of directors at the immensely powerful and ubiquitous Soylent Corporation, the investigation takes a turn toward the inner workings of the company and lands Heston’s character in the crosshairs of the powers that be in both politics and the private corporate sector.

Going beyond the surface story, the message of environmental disaster brought about by a combination of human factors is as relevant today as it was when this film was first released. The idea of large corporations going to whatever lengths are necessary to protect their profits is as much in the forefront of today’s politics and general public opinion as it’s ever been, as are the various consequences of overpopulation on our planet’s resources.

According to the scientists at NASA, among others, the amount of carbon dioxide in our atmosphere has increased by about a third of the total just since the Industrial Revolution, due at least in part to our burning of fossil fuels for energy. The increase in carbon dioxide in our planet’s atmosphere is directly related to the increased greenhouse effect and overall rising temperatures – a condition that Soylent Green exploits as the reason for the food shortages that lead to turning recently deceased humans into food for the still living.

While it doesn’t seem likely that the world as we know it will become the world of Soylent Green by 2022, a mere six years away, it’s not so farfetched to believe that we could get there at some point in the not-so-distant future. This is particularly true if we don’t find ways to slow and possibly reverse at least some of the damage that’s been done to our planetary ecosystem in the name of progress and profit.

Just as in any smaller ecosystem that becomes unbalanced in some way, we could be leading to our inevitable extinction otherwise. After all, a population willing to cannibalize itself with those who die willingly is only one step away from killing each other for food when the need becomes great enough. I for one hope I’m not around to see that phase of “humanity.”

Written by Maria Rosita

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Maria is a writer interested in comic books, cycling, and horror films. Her hobbies include cooking, doodling, and finding local shops around the city. She currently lives in Chicago with her two pet turtles, Franklin and Roy.

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Women in Gaming

People young and old enjoy playing video games. In the younger age groups, more males play, but in the older populations in general, there are more females playing digital games. All told, the number of men and women gaming is more or less the same. Yet, 80% of the game design workforce is male.

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Nikkei Rio Expo 2008 – Visão Geral, visitantes, profissionais by Rodrigo Della Fávera

Statistics are usually dry and boring, but they help in telling some stories which need telling. Men aged 18-29 are three times more likely than the females to identify themselves as gamers. Among the younger women, there are gamers who don’t identify themselves as such, but this trend fades in the older age groups.

The Advent of the Smart Device

With smart devices like phones and tablets becoming more affordable, gaming has become socially acceptable behavior, and women have actively taken to gaming in large numbers. As the variety of games increased to include puzzle/word/adventure/fashion games, women of all ages and interests have started gaming. Once producers realized that more women were into gaming, studios which had traditionally catered to predominantly male interests, slowly morphed their offering to include more games which interested female audiences. In 2015 the revenue from mobile devices was greater than revenue from consoles.

The Jigsaw Pieces of a Good Game

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Tomb Raider by Dominic Alves

From primitive games played inside University Labs to MMORPG games, video games have come a long way from creating games which removed gamers from reality— games now aim for of an appearance of reality. Immersive gameplay, taut storylines with appealing characters, great art, realistic graphics – these are some of the pieces which make up a good game.

The Inherent Ugliness in Gaming Culture

Some of these videos help us comprehend the depth of the problem. Not only is the depiction of women the problem, the reward for winning can be a sexualized favor. Teenage boys love the fact that Grand Theft Auto offers a lap dance. On the forums, the attitude of hard core gamers can be so unwelcoming, that women are happy hiding behind a male facade. Female characters in many of the video games are typically oversexualized which contributes to discomfort among women who play these games. Women play competently and aggressively, but handling other non-games issues of sexual talk and aggression can be very dispiriting.

Correcting Imbalances

One of the simplest ways to correct imbalances both inside a game and in the studio which develops it, is to get more women in. Women who contribute to developing games and playing games. Young girls must be informed of the many work options that gaming provides, in art, music, coding, game development, design, business development etc. In recent years, more studios have fleshed out their women characters by adding some spunk and grit. Interestingly, as a first in bringing balance into the male dominated video game making world, women outnumber men in the graduate program for game design at USC. Many of the women who enter the video games workforce do so primarily because they want to develop games which they would want to play, instead of the ones which offer violence and sexualized content.

Mentoring Programs

Many women in gaming are very low profile and rarely enter the worlds of regular school girls. E.g. Michiru Yamane, a video game composer and pianist, is very well feted, but is not widely known. It is imperative that mentors help girls understand that the video game business has a variety of jobs that can be exciting, fun and lucrative. This will start an inflow of women into designing games. If successful women in gaming become mentors to girls, it increases their exposure to people, possibilities and the job market in game design.

Women Founders in Gaming over the Decades

Donna Powell, was co-creator of the very successful game Neopets in the late 90s. It was created for ‘bored college kids, who missed having a pet’, but then grew into a very successful gaming world. With exclusive Neopian currency, Neopia was a virtual world where virtual pets could be adopted and nurtured. Even after changing hands twice, Neopets is still a game where nostalgia draws back old players who are now in their 20s. Donna was in charge of the creative part, the website and oversaw the Neopets Magazine, long before women were seriously involved in gaming either as players or as creators.

Siobhan Reddy was one of Fortune’s Women in Gaming, in 2014, and a rare female studio head. Her studio has worked on very well received games like Tearaway World and Little Big Planet. Started in the mid 2000s, her belief in diverse workplaces has contributed to some of the most creative games coming out of her studio. As video games are a mix of many things like art, storytelling, music etc., she feels it’s a wonderful career opportunity. She is very conscious of the fact that diversity needs to be increased in the gaming industry.

Lina Chen and Naomi Ladizinsky are the designers of the game Egg Baby which had 9 million downloads thanks just to word of mouth advertising, and their next release is going to be Egg! which emphasizes sharing and friendship. Founded in the 2010s, it is an unusual company as not only does it have women founders who are not trained game designers(they learnt coding online), but their aim is to build girly games for girls. They make no bones about it, and have smartly gone about raising $5 million. As they all work very hard, here is that rare firm which has Saturday to Monday off for the creative health of the employees.

To wind up, for the good of the gaming industry, there should exist a plethora of wonderful games for a world of gamers, as against female and male gamers.

Perhaps one day.

Soon.

Author Bio:

George Schalter loves being a dad. He and his wife share the joys and responsibilities of bringing up their two children. As believers of good all round education, they spend a lot of time playing with their children and spending time outdoors. As George is the writer in the family, he blogs at Educational Kids Games.

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Star Wars Episode VII Review: How the Force Awakened a Dead Franchise

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“May the Force be with you.” Lightsaber battles. Princess Leia killing Jabba the Hut with the chains of her own imprisonment. “Luke – I am your father.” Any of these scenes would most likely recall huge emotion in the heart of any Star Wars fan, young or old. Ever since Episode IV: A New Hope debuted on screens in 1977, this beloved space opera saga has captivated audiences with complex characters, intense battles, and a sci-fi mythology fans have spent years expanding upon.

 

The saga did not return to theaters following the original trilogy until 1999 when director George Lucas came back for Star Wars Episode I: The Phantom Menace, the first of three prequel films. In the years following, the franchise has come to span dozens of novels and games, TV spin-offs like Star Wars Rebels and Star Wars: Droid Tales (both available through DTV and Disney XD), and comic book miniseries – and finally 10 years after we last saw the galaxy on the big screen, Episode VII: The Force Awakens hit theaters on December 17th to unwavering critical praise and audience adoration.

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The Force Awakens takes place 30 years after the second Death Star was destroyed in Return of the Jedi and returns with familiar faces – Harrison Ford, Carrie Fisher, and Mark Hamill all return as Han Solo, Leia Organa, and Luke Skywalker, respectively – as well as a few vital new characters. Leia, searching for her lost brother, is now leader of the Resistance military force. The Resistance is trying to go after the corrupt First Order and the mysterious former Jedi apprentice, Kylo Ren (Adam Driver). With the help of fighter pilot Poe Dameron (Oscar Isaac) and redeemed Stormtrooper Finn (John Boyega), the film’s lead heroine, Rey (Daisy Ridley), uses a map provided by droid BB-8 to find Luke Skywalker and take down the First Order.

 

Though The Force Awakens includes a new main trio, the parallels to the original trilogy are noticeable. Rey, a young woman on her own in the world, comes into her power as surely and shyly as Luke Skywalker did with his, and Poe’s cockiness in the cockpit reminds fans of a young Han Solo. And ever since the first teasers premiered, fans fell in love with the new rolling droid, BB-8, reminding them of loveable companion R2-D2. The young cast is undoubtedly talented, and they provide the same elements of humor and heart that the original cast did in the 1970s and 80s.

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One of the biggest changes to this much-loved saga is the introduction of famed sci-fi aficionado, J.J. Abrams as director, co-producer and co-writer. Abrams, who directed the recent Star Trek reboot films, brings a faster pace to the Star Wars saga, keeping both the characters and the audience on edge for the duration of the film. He has an eye for dramatics and flash, two elements that have always thrived in the Star Wars universe. While the prequel films supported the Star Wars mythology, they ultimately felt too slick and computer-animated, a far cry from the practical effects used in the originals. The Force Awakens feels like an organic, well-planned addition to the saga – it wows the audience, but it doesn’t overwhelm with too much bang and not enough heart.

 

By introducing new characters, going back to practical effects, and blending fan-favorite Star Wars mythology with fresh, new storytelling, this film sets itself apart from the previous prequel movies and remains a worthy addition to the franchise name. The Force Awakens is just the beginning of a whole new saga of Star Wars stories. Two more films are planned for a sequel trilogy, and casting rumors and plot theories are already running rampant. This really is a new era for Star Wars fans, and The Force Awakens is a fantastic way to start it off!

Written by Maria Rosita

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Maria is a writer interested in comic books, cycling, and horror films. Her hobbies include cooking, doodling, and finding local shops around the city. She currently lives in Chicago with her two pet turtles, Franklin and Roy.

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Action Flick Chick’s Top Five Picks for the Next Bond, James Bond

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Now that Spectre‘s had plenty of time to clean up in theaters (and make enough money that its inevitable sequel is even more inevitable), everyone in Hollywood is scrambling to figure out who the next James Bond will be. Daniel Craig’s been pretty vocal about saying this is his last Bond flick, even going so far as to say that he’d rather slash his wrists than do another one, so he’s out. Who’s it gonna be? No one’s sure, yet. Internet fandoms are divided about who they’d rather see (Should Loki or Sherlock be the next Bond? Why not put them both in the movie and have them make out!), and this betting site has placed their top picks, with Damian Lewis, Nicholas Hoult, Michael Fassbender, Tom Hardy, and the inimitable Idris Elba taking the top five slots. Well, folks, the Action Flick Chick has her choices choosed, so buckle up while I drop twenty tons of knowledge on you as to who should be the next 007.


Idris Elba

Pros: Idris Elba rocks in everything I’ve ever seen him in. From piloting Jaegers in Pacific Rim, solving crimes in Luther, headbutting evil in Ghost Rider 2, or watching over Asgard in the Marvel Universe, it’s clear that this guy’s got the charisma, intensity, and charisma to pull off James Bond with ease.

Cons: Being James Bond will keep him busy and give him less time to be in my dreams.


Tom Hiddleston

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Pros: Hiddleston’s magnetism is the stuff of legends; every Marvel movie without Loki is poorer for it. There’s something infectiously likeable about him, and he portrays Loki with such complexity and intelligence you can’t take your eyes off of him. He’s more than a one-trick Asgardian, though, as we see with his performances in Crimson Peak and Muppets Most Wanted. Plus, the guy just seems like fun— in damn near every photo of him he’s got an ear-to-ear grin.

Cons: Playing James Bond could be part of a secret Loki plot.


Andrew Lincoln

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Pros: He’s Rick freaking Grimes

Cons: He’s probably going to be busy fighting zombies for a while.


Paul Bettany

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Pros: Bettany is, without a doubt, one of my favorite actors, ever. He’s funny and charming in Wimbledon and as Jarvis in the Iron Man films, he’s chaotic and insightful in A Knight’s Tale, and he’s detached, but curious, in Avengers 2.

Cons: None


Charlize Theron

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Pros: Charlize Theron crushes it every time she’s onscreen. She was furious(ly awesome) as Furiosa in Mad Max: Fury Road, she was Monstrous in Monster, and she was arrestingly hilarious on Arrested Development. I’d take her as Bond any day.

Cons: Okay, so, technically she wasn’t born in the U.K., and I know a lot of James Bond fans demand that 007 hail from Jolly Old England.

This is the Action Flick Chick, and you’ve just been kicked in the ass!

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Radioactive, Radioactive: Five Eco-Horror Flicks

For years, movies about the destruction of the planet and the power of mother nature for years have rained into theaters. Despite this, it seems like people are just as slow to learn in real life as in these catastrophe films. While the stories are fiction, they are based at least in part on real science, science that is telling us that it is time to take global warming and our abuse of the planet seriously. Will it take a real flood to get us to pay attention? Below are 5 films that show how crazy things can really get when man thinks he’s stronger than mother nature.


Them! (1954)

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The film, directed by Gordon Douglas, was shot before global warming was really on people’s minds but that doesn’t mean the writers weren’t aware of other ways man has messed with nature. Monster ants, created unintentionally by a nuclear bomb test, are murdering people. FBI agent Robert Graham (James Arness) is sent out to solve the mystery and recruits scientists Harold and Pat Medford (Edmund Gwenn and Joan Weldon) for help. This film reflected the fear many had of not only the initial damage that could be caused by nuclear bombs, but the long term effects these bombs could have on nature. After all, would you really want to live in a world inhabited by giant killer ants?


Silent Running (1972)

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Bruce Dern stars in this film as Freeman Lowell, a scientist willing to both die and kill to protect the last plants in existence. Earth is a wasteland and these plants exist only in floating greenhouses in space. Unfortunately, as is typical of humanity, no one but Lowell really cares and he’s ordered to destroy the plants. He rebels and ends up a fugitive on the run. The moral of this particular film, directed by Douglas Trumbull, seems to be that people won’t stop ravaging the planet even after they’ve been forced off it due to their own bad shepherding. At least there’s one guy in the film willing to hug a tree.


C.H.U.D. (1984)

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With Douglas Cheek’s C.H.U.D., we’re back in radioactive mutation territory. Once again it’s greedy shortsighted men who are the problem. Nuclear waste is being dumped illegally under New York City and is turning the homeless population into murdering cannibals. It’s up to George Cooper (John Heard) and AJ Shepherd (Daniel Stern) to figure out what is going on and who is to blame. Plucky policeman Captain Bosch (Christopher Curry) is the third musketeer. It seems like in the end it would have been better for everyone had they just recycled.


The Day After Tomorrow (2004)

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People really ruin everything, especially in this film by Roland Emmerich. Jack Hall (Dennis Quaid) plays yet another ignored scientist, though instead of nuclear radiation we finally are dealing with climate change. Hall tries to warn the government of what is coming, but of course they don’t want to hear it. Hindsight being what it is, they surely come to regret this decision when crazy arctic weather erupts and destroys most of the United States. On the plus side, the snow makes everything look clean and fresh and there’s probably some great new ski slopes.


Children of Men (2006)

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In this movie, directed by Alfonso Cuaron, the main thing people have destroyed is themselves. No one can have kids anymore, and humans face extinction. Rather than deciding that this would be a good reason to sit down and try to figure things out, the world erupts into pandemonium and war instead. Clive Owen and Clare-Hope Ashitey star in this grim film about the fight to save our own species. The one baby that is born to Ashitey’s character during the film results in people scheming and plotting to use it to their own advantage. No wonder the aliens are keeping their distance – based on this film, we’re definitely not ready to join any interstellar community.


As grim as these movies are, they are based in a certain amount of truth. Global temperatures are rising – about 1.5°F in the past century with more to come – and it is our fault. We’ve burned so many fossil fuels that we’ve created a thick blanket of greenhouse gases, trapping heat and melting icebergs. In fact, according to Alberta Energy, human activity emits over 5,000 million metric tons of carbon dioxide yearly. Although we’re not at Day After Tomorrow levels of bad yet, we’re getting there. Films like these, though melodramatic, might be the gentle yet terrifying wake up call needed to get people to pay attention. People were scared enough of nukes in the 50’s and 60’s to avoid using them. Maybe we’ll be scared enough of cooking our planet to actually turn off a light or two.

Written by Maria Rosita

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Maria is a writer interested in comic books, cycling, and horror films. Her hobbies include cooking, doodling, and finding local shops around the city. She currently lives in Chicago with her two pet turtles, Franklin and Roy.

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Momma Knows Best: Four Incredible Movie Moms

The first movie shot in Hollywood was In Old California and it was the year 1910. Hollywood was then a tiny village, and the director D W Griffith decided to shoot his movie there because it had friendly people and great scenery. Women have been involved in the movies since those years. In fact Florence Lawrence is called the First Movie Star from Hollywood, and she was directed by D W Griffith himself.

Movies which are meant for a younger audience have also been made for many years now. The Blue Bird from 1918 is perhaps one of the oldest. It is a sad fact of the movies that many of these movies which kids watch do not have strong mother characters. There have been strong mother characters, but many of these movies were not meant for a younger audience. It is a sort of contrast to real life where in the last 50-100 years, women have gone from strength to strength as their numbers in the workforce has increased dramatically, and breadwinner moms are on the rise. Ideally kids do need a two parent nurturing environment, but ground reality might not be so.

It’s always good for kids to see strong and real mothers in movies that they watch. Strong maternal roles in real life are not getting reflected in ‘reel’ life. It’s not that such roles have not been enacted, it’s just that there could easily be many more. Mothers who not only care and comfort, but are whole people unto themselves. Mothers who make tough choices. Those that are not black and white in their character, those that can be tough on others and on their own children too if a situation demands it. Mothers who might not seem the best at first glance, but do think of their kids. Mothers with their own needs, hopes and goals, who have the gumption to go get what they want.

Movies watched by children, which have strong mothers:

  1. Elastigirl, from The Incredibles

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Image Credit: http://pixar.wikia.com/wiki/File:Gaming-disney-infinity-incredibles-3.jpg

This is a movie where a superhero family is trying to live life like a regular suburban family. The mother is managing well, but the father is coming apart at the seams. The movie shows how a mother can go to incredible lengths to keep her family together. Though she was Elastigirl (and can therefore do the incredible length bit, pretty easily!), the mother is now plain vanilla Mrs. Incredible. This movie has a strong mother character, who does not sit and brood, but just goes out there and does what she has to do, to keep her family safe and together.

  1. Leigh Ann Tuohy, from The Blind Side

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“Blind side poster” by Source. Licensed under Fair use via Wikipedia – https://en.wikipedia.org/wiki/File:Blind_side_poster.jpg#/media/File:Blind_side_poster.jpg

We loved this movie, and our older one watched it with us. It’s not really a children’s movie, but we felt it was a good movie for all of us to watch. The rating is PG-13. The woman who is looking out for the young protagonist in the movie is clear that she will go to great lengths, including speaking to his birth mother (who because of her circumstances is unable to pay attention to her son) and adopting him, so that he can be helped to make something of his life. She has her own fears, but overcomes them because the person to focus on is the boy she is trying to help.

  1. Valka, from How to Train Your Dragon 2

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Image Credit: https://www.howtotrainyourdragon.com/explore/vikings/valka

Both parts of HTTYD movies were huge hits. The second part had Valka, the mother of the main protagonist, Hiccup, showing up for the first time. It showed her as a strong woman who chose to live away from her family because of a cause she believed in – dragons. These movies leave a strong impression on kids. The characters are remembered, for kids go back to play the dragon games based on these movies. Though part 1, barely mentioned the mother, part 2 depicts Valka as a woman who advocates peace between Vikings and the dragons. In spite of not being around to mother her son Hiccup through his growing years, she helps him understand dragons, creatures they were supposed to hate as Vikings, but cannot help loving and caring for, and over this shared love they bond.

  1. Elinor, from Brave

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Image Credit: http://disney.wikia.com/wiki/Merida?file=Queen_Elinor-Merida-child.jpg

Disney movies are famous for their missing mothers, fathers and sometimes both parents! One of the longest standing Disney producers, Don Hahn said that it was a ‘story short hand’, where bumping of the parents put kids in a spot and they are forced to grow up real fast, thus fitting the movie into the running time of 80-90 mins. Whatever be their reasons, it is good for kids to watch movies, where parents are alive, supportive and doing their jobs. Well, Brave from Pixar has a protagonist with both parents alive and doing their jobs. The mother, Elinor, is one who takes her duties as a ruler and queen very seriously, and she is the deuteragonist in the movie. Just as in real life, kids rebel against what are considered as their duties by parents, the protagonist rebels wanting to make her own choices. The movie goes on to show how the imbalance that sets in, is eventually set right by the protagonist, albeit with help from other characters.

Author Bio:

George Schalter loves being a dad. He and his wife share the joys and responsibilities of bringing up their two children. As believers of good all round education, they spend a lot of time playing with their children and spending time outdoors. As George is the writer in the family, he blogs at Educational Kids Games.

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How Cell Phones and Security Systems Changed Horror Movies Forever

Scream

Most horror movies seem to follow a specific set of rules. Killers are supernaturally smart, strong, sneaky, or all three. Victims are naïve, weak, and unable to understand what is going on around them until it is too late and somehow technology never seems to be on their side. Phones fail to get service. No house has any reliable defense system.  Anything that requires a battery suddenly has no charge. As times have moved forward and technology has changed, it seems like it should be more helpful for those people who find themselves caught up in the plot of a horror film. But even with advancements in digital tech, villains always seem to find a way to wreak as much havoc as possible.

funny-games

The 1997 home invasion flick Funny Games tells of an unsuspecting family on what should be an idyllic vacation, who instead find themselves taken hostage in their own home by two maniacal murderers. The killers destroy the only phone in the house, cutting the family off from even attempting to call for help. Now, if they’d had an advanced security system, perhaps things would have worked out differently. Ideally, an alert could have been sent out to the authorities immediately and help would have been dispatched. However, not all security systems are created equal, and sometimes just because a house has one installed doesn’t mean it will do any good. In the 1996 thriller Fear, the family has a security system installed but one of the characters gives the codes to the villain, allowing him to bypass it altogether.

Ghostface

Scream has a similar situation, in which one of the victims herself disengages the security system, allowing the villain access. But perhaps a more advanced system, that had a panic button or an alert protocol in case of certain things (like opened windows or jammed garage doors, etc), would have helped out more. Characters in Scream are also more reliant on home phone service (as the film came out in 1996) and are easily disconnected from their ability to call for help when they leave their homes or when their phone lines are cut. If the movie was made today, with smartphones and apps that allow one touch access to emergency services, the body count in Scream may have been much lower.

the-ring-samara

Security systems and cellphones aren’t the only advancements in technology over the years that could help or hinder the characters in a scary movie. Both The Ring and Poltergeist are centered around supernatural forces that use outdated forms of media to harass their victims. In The Ring, it is a cursed and haunted videotape that calls on the demonic visage of a young girl to frighten and kill any who watch it. In Poltergeist, though the whole house seems pretty haunted, much of it centers around an old tube television set with bad reception. Now that VHS tapes are a thing of the not-so-distant past and TVs have evolved into digital flat screens with constant high definition signals, it is hard to imagine either film working out quite the way they did before. The demonic character of The Ring would have to find something new to haunt, and the ghosts of Poltergeist would have to focus on sucking souls into other objects.

Each advancement in technology changes not only the real world around us, but the narratives of the fictional worlds we experience through films. While the premises of the past won’t work as well with the technology of today, new villains with new methodologies will always arise.

Written by Maria Rosita

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Maria is a writer interested in comic books, cycling, and horror films. Her hobbies include cooking, doodling, and finding local shops around the city. She currently lives in Chicago with her two pet turtles, Franklin and Roy.

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