AFC Classic: Which Iconic Film Characters Should Fight Zombies?

Zombieland: Smile for the camera!"What kind of scary-ass clowns came to your birthday?"<br> <p>- Chandler Bing, Friends

Cracked.com has posted some smart and interesting analyses of important issues related to your survival during the zombie apocalypse – like the scientific reasons why a zombie outbreak could occur, how a viral-based zombie outbreak would not spread too rapidly, and which zombie combat maneuvers will probably just get you killed. One recent article looked at how seven well known film characters like Harry Potter, Kevin from Home Alone, and our man John McClane (Die Hard) would fare against the walking dead.

Action Flick Chick: Which iconic movie figure would you like to see fight zombies? I know my picks. Yours?

On twitter:

tenindenmark: Iconic – dead or alive?
amihama: Samuel Jacksons character from Pulp Fiction.
evildorina: Jules Winnfield. #badmotherf*****
WndrWmn: Don’t normally gravitate toward his movies, but I sure would if Bond, James Bond was kicking undead tail. 😀
Ballardgirl1: John McLane from die hard.
keithprime: John McLain
OSOSANTOS: edward scissorhands or mclane def.
RWordsworth: Ash J. Williams, Darth Vader, Finnegan from Deep Rising, El Mariachi, John McClane and of course Han Solo
NapiersNews: Ash, Any John Wayne hero character, Bruce Lee or William Wallace would all be awesome zombie killers.
maialideth: Ash fought zombies in Marvel Zombies vs Army of Darkness comic 🙂
KeithAllGamer: Ash to zombies: “Swallow my brain? Come get some!”
Dedlok: iconic characters I’d like to see fight zombies: Neo from Matrix, Luke Skywalker, The Bride
jade_kadir: I’d love to see The Bride from Kill Bill battle hoards of the undead. 🙂
callouscomics: I’d like to see The Bride from Kill Bill take on the Zombies! >:D
einaphets: Ms. Daisy. Fierce bitch.
APlusSwagga: jake sully from Avatar or clint eastwood from Gran Torino
MiniKayteaCoop: Archie Bunker and…..nope thats it, Archie Bunker
bmoviechick: The Golden Girls. BEST MOVIE EVER.
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Ten Sure Signs a Character is Going to Die

When Breaking Bad was about to end, most viewers’ Spider-sense was tingling; we knew, we just knew that not everyone was coming out of that show alive. That’s because we’ve been trained by years of pop culture consumption to know when the bad times are coming. Usually, it’s when things are looking a little too nice for our protagonists that they’re about to get knocked down. But the end of a television isn’t the only time that characters become Dead Characters Walking— time after time we see certain tropes stack up and repeat themselves to show us that some characters just aren’t meant to survive whatever they’re in. You can feel pretty sure a character is going to die if they’re…

Drew Barrymore in Wes Craven's "Scream"

…on the phone with the protagonist and they have “crucial information” that they say can only be relayed in person.

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… teenagers having promiscuous sex and/or smoking all the drugs.

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…going to “be right back!”

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…the villain at the end of an action movie.

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… a soldier or mercenary who longs to get back home to their spouse and children.

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… an old or a sickly child who has recently befriended the protagonist.

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…someone who just had a nice moment with their estranged lover/parent/child and seem to have wrapped up all the loose ends in their life.

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…the villain’s partner who still expects their “fair share” of whatever the take is.

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…going up against Rambo.

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… played by Sean Bean or Michelle Rodriguez. Those two poor bastards can’t seem to survive anything! #dontkillseanbean

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Five Frosty Flicks- Movies That Make You Say “BRR!”

Winter’s not coming— it’s already here, baby, and it’s ready to par-tay! As the weather outside grows more frightful by the day, be glad for what time you get to spend inside, where it’s nice and toasty. Not everyone’s as lucky as we are; some people are out there bravely freezing their butts off, which is why I’m honoring them with this marathon of five of the frostiest flicks ever made.


The Thing

Setting: An Antarctic research station

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John Carpenter’s classic horror flick boasts three major draws. 1. Realistic, shockingly disgusting special effects used to propel this tale of humanity’s paranoia of itself. 2. Kurt Russell 3. Keith “Accelerate Your Life in the Motherhumpin’ Navy” David. As MacReady, Russell’s a no-holds-barred badass; he’d rather die and take his foe down with him than to see the enemy survive. Keith David’s hot-headed character, Childs, often butts heads with the equally obstinate MacReady, but eventually the two reach an uneasy alliance in the face of annihilation.

Chilly factor: 6/10- 2 Cold 4 School


Whiteout

Setting: The Amundsen–Scott South Pole Station

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Whiteout may be a terrible film (and, judging by the reaction of pretty much every critic and audience member on the planet, it is), but one thing it does a decent job of is making everything look cold. As U.S. marshal Carrie Stetko, Kate Beckinsale looks colds as balls through pretty much all of the film— probably should have invested in an extra coat or two before traipsing off to an arctic research station, eh?

Chilly factor: 4/10- Pretty Flippin’ Cold


Frozen

Setting: A ski lift

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No, not the Disney musical, this frozen is about three idiots who get themselves stuck on a ski lift due to aforementioned idiocy. Their options? Die of exposure, die of starvation, die from the injuries they’d receive if they jump out of the ski lift, or die from wolf attacks. True fun fact: of all the predators on planet Earth, wolves are among the least likely to kill humans. In the last hundred years there have been three recorded fatalities due to wolf attacks in the United States. Keep this in mind as we get into the next movie on this list.

Chilly factor: 9/10- Close the Door, You’re Letting the Heat Out!


The Grey

Setting: Alaska

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If you saw the trailers to The Grey, you might’ve thought it to be Taken: the Wild Frontier, a film where Liam Neeson punches wolves and conquers the frozen wastelands. Don’t get me wrong- I’d watch the hell out of that movie, but what we got instead was a dark look at the inevitability of death and the ways in which we look back on our lives. This, too, features wolves attacking/killing people; in fact, there are tons of movies/TV shows which feature these sleek beasties slaughtering folks, and every time you see wolves killing people I want you to remember that you’re several thousand times more likely to be killed by a hippo than a wolf, geography notwithstanding.

Chilly factor: 10/10- As I Stare Into the Obsidian Eyes of Death, I Welcome His Embrace, for At Least It Offers a Reprieve From the Numbness I Now Feel


The Thing

Setting: A different Antarctic research station

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What’s this? Another The Thing? Yep, that’s right, there’s more than one movie by that name. This The Thing is a prequel to the ’80s classic, touching on the same themes while using modern special effects and the awesomeness of Mary Elizabeth Winstead. Chronologically, The Thing (2011) comes first in the series, followed by The Thing (1982), and then The Thing (2002), a video game follow-up to the movie. This may be the only trilogy in known history where all three entries have the exact same name.

Chilly factor: 7/10- Hot Dang It’s Cold Up In Here!

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AFC Classic: Resident Evil: Afterlife Review- Blood Pumping, Brain Dead Action

When a movie promises multiple ass kicking Milla Jovoviches, you can bet your balls that I’ll be first in line to see it. I would kill a hobgoblin, ride a wild T-Rex (as opposed to a housebroken one), or hunt down a wild Snorlax, just to see Jovovich kick some Umbrella dudes’ ass! Thankfully, all the hobgoblins, T-Rexs, and Snorlaxes got my memo and let me cut first in line.

Resident Evil: Afterlife is the fourth installment based on the video game with the same name. Alice (Milla Jovovich) is back and she definitely brought some friends with her, including a butt-ton of her own clones. Alice continues her battle against the Umbrella Corporation and searches for any survivors along the way. The main villain of the video game series, Albert Wesker (Shawn Roberts), the head of Umbrella, finally decides to get his hands dirty in this film, and Alice goes toe-to-toe with him.

I love the first two films in the series, and like the third one. The action in Afterlife was splendid, and the plot was atrocious. It’s almost as if Paul W.S. Anderson went on vacation, and a 5-year-old kid got a hold of the script, made some doodles, then immediately sent it off. Whooo-boy, there were inconsistencies galore, weak dialogue, poor characterization, and a tepid story.

All that being said, I straight up don’t care! I’m a big fan of Alice and Jovovich, and I loved seeing her kick everyone’s asses! Before Alice ever says a single word in the film, she has literally killed over a million dudes! Well, maybe not literally a million, but a lot, and that is the kind of stuff I love to see: a woman taking action! Claire Redfield (Ali Larter) also increases the ass kicking-ometer. That is another woman who isn’t afraid to get her hands bloody and I say the more the merrier! The action was very Matrix-y in that it was mostly slowed down and had everyone dodging bullets, zombie dogs, and sunglasses.

Resident Evil: Afterlife was fun and entertaining even though the storyline sucked balls. I’m already looking forward to the next one with the (secret) return of one of my favorite characters from a previous film.

*Spoilers Below*

Time Until Action Starts: ~ 4 minutes

Baddies: Albert Wesker! And zombies! And whatever the hell those ugly things were!

Best Line: “Five years ago…a virus escaped, and everybody died.”

Best Kill: You can tell from the beginning little Kim Yong (Norman Yeung) isn’t going to make it. Just as he’s about to escape by jumping into a hole in the ground, a gigantic hammer from The Executioner (a.k.a. Axe Man) comes slicing down right through his head all the way to his feet. Ouch!

Best Explosion: Oh man, am I glad I don’t live in Japan! As Wesker is escaping from one of the underground Umbrella hives, he detonates a bomb. This is some kind of magic unicorn-dust powered device, a bomb so powerful that it’d be the end of the world if it ever exists. It forms a kind of cloud that sucks a huge chunk of Tokyo into a massive rift/explosion.

Action Rating: 4 Zombie Shower Scenes, out of 5.

This is the Action Flick Chick, and you’ve just been kicked in the ass!

Previous posts:
* Resident Evil (2002) – review
* Resident Evil: Apocalypse (2004) – review
* Every Zombie Movie Ever Made

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Gobble Gobble- Favorite Thanksgiving Episodes!

Ah, Thanksgiving. The day of giving thanks. But what’s it really about? Turkey, family, and Black Friday (though not necessarily in that order). Since most writers will jump on whatever chance they get for a themed episode, there’s no shortage of Thanksgiving-oriented television. In honor of these Turkey Day-themed affairs, I’ve teamed up with @Rocketllama to bring you each of our favorite Thanksgiving episodes!


Buffy the Vampire Slayer

“Pangs”

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Most of us know that family get-togethers are hardly the Hallmark affairs we see in commercials. Often you’ve got everyone trying to keep their long-hidden grievances hidden before the lid blows off and everyone’s grievances coming to air. Buffy the Vampire Slayer’s “Pangs” may not be about a family in a traditional sense, but Buffy and her game of not-chromosomally-related family have a Thanksgiving like any good Thanksgiving—full of bickering, confusion, and vengeful Native American spirits.

There are about a billion and one great things about this episode, so I’ll just bullet point a few of the most memorable lines and occurences.

  • Buffy’s cowboy hat in the first scene, a hat never to be seen or heard from again.
  • Willow: (describing Thanksgiving) It’s a yam sham!
  • Normally cool guy Angel’s jealousy over new guy Riley.
  • Buffy: and Native American. We don’t say “Indian.”
    Giles: Right. Always behind on the times… still trying not to refer to you lot as bloody colonials.
  • Spike’s speech to try to put an end to Willow and Buffy’s white person guilt over the justifiably angry Native American spirit going around killing people: You won. All right? You came in and you killed them and you took their land. That’s what conquering nations do. It’s what Caesar did, and he’s not goin’ around saying, “I came, I conquered, I felt really bad about it.” The history of the world is not people making friends. You had better weapons, and you massacred them. End of story.
  • A stunt performer pretending to fight a bear.
  • Ultimately, after all of the arguing and bloodshed, everyone shuts their yaps and bands together to both fight the vicious ghosts and to have a nice meal— which is exactly what Thanksgiving is all about.

-Alex (@rocketllama)


Friends

“The One Where Ross Got High”

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There’s a reason Friends was on for 10 years, and that’s because it’s da bomb. I, too, am choosing a Friends episode as my favorite Thanksgiving episode with “The One Where Ross Gets High.” The show is at its absolute best when all six main characters are together interacting with one another, but still have their individual storylines going on, and this episode has everyone trying to keep something from going off the rails. Joey and Ross want to ditch so they can hang out with hot dancers, Rachel doesn’t know how the hell to make a trifle, Phoebe fights her attraction to deep-sea diver Jacques Cousteau, and Monica tries to hide her relationship with Chandler from her parents and, in doing so, discovers that they don’t like him because Ross told them he got high all the time, when really it was Ross who was getting high. Everything comes together wit one magical outburst in the end, with each character shouting out some kind of confession:

Ross: Hurricane Gloria didn’t break the porch swing, Monica did!

Monica: Ross and Rachel got married in Vegas and divorced— again!

Rachel: I wasn’t supposed to put beef in the trifle!

Phoebe: I love Jacques Cousteau!

Joey: I wanna goooooooo!

And, to cap everything off, Ross and Monica’s parents end up seeing Chandler for the supportive, wonderful guy he is and Joey ends up loving Rachel’s disgusting, meat-filled dessert. All in all, it’s hilarious, while still instilling that warm, family feeling.

-Katrina


So, gentle readers, those are our favorite Turkey-day themed episodes. (Runner-ups include Friends’ “The One with the Football,” The Simpsons’ “Bart Vs. Thanksgiving,” and Community’s “Cooperative Escapism in Familial Relations,” an episode some consider to be the best of the infamous “gas leak” year that was season four. What are your favorite turkey day episodes?

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The Walking Dead 5-4, 5-5, and 5-6: Doctors Without Morals

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The last three weeks in The Walking Dead have been very exciting, not in the action-packed kind of way, but in the omg revelation, Chandler-Bing-busting-out-from-behind-a-door-yelling “I KNEW IT!” kind of way. “Slabtown,” “Self Help,” and “Consumed” cover the same period of time from three different points of view. I think. Honestly, the whole passing of time isn’t easy to keep up with since each episode focuses on a different group doing things during the same time period. Minute-by-minute chronology doesn’t really matter as long as AMC keeps on bringing us good stories like this one. But first, let’s check in with Dale over at the RV.

Dale face 4 electric dance floor

Action Chick, I found a box full of DVDs in the back of a burnt up truck on the highway, and they seemed to be in pretty good shape. I ended up watching five whole seasons of something called Family Matters. That show sure did get strange, after a while. Started out about a middle class black family, and it ended up being all about that little guy with the glasses who could built robots and transformation chambers and atom bombs. I went back to that truck to see if I could find the rest of the series on DVD, but all I found was a charred skeleton and some Nickelback CDs. I threw both on a fire and went on my way.

 

Thanks, Dale. Now, onward, to the recap!

In “Slabtown” we finally get to see where Beth has been all this time. She’s in an actual hospital fortified by a lawful evil group of people I will now refer to as Doctors Without Morals. “Oh yeah, we’ll save your life and give you food and act nice to you, but underneath it all we’re keeping track of everything you ‘owe’ us and let rape and abuse run wild while we look the other way.” One should be so lucky to get picked up by these good Samaritans.

Beth, like the smart woman that she is, starts working on a plan to escape the moment she wakes up. She doesn’t get out, but ends up helping a young man get out. After a round of beatings for trying to escape, Beth arms herself with scissors, in what looks like preparation to go full out REDRUM on their assess, but before she can strike, Carol rolls in on a stretcher.

That’s where the episode ends! Argh! I’m so ready to see them turn the Doctors Without Morals into Doctors Without a Place to Practice. (A more fitting wordplay might have been Doctors Without Pulses or Doctors Without Faces, but they’re just kind of bad, but not so bad you want to see them get eviscerated. Plus the creepy rapist in their group already met a zombie-filled end, so I’m good. I need to see more from the rest of those bozos before rooting for a horrible death.

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Charging ahead to last weeks’ episode, “Consumed,” we see what Carol and Daryl are up to since they left Rick’s Rebels to find Beth, but before Carol gets taken by the Doctors Without Morals. This is a very slow episode, but it’s still nice to get to have some one-on-one time with these two. While Carol and Daryl seek shelter in her old halfway house, we get to see the two of them reaffirm their bond, reminiscing about who they were versus who they are now, and what the point of all this suffering is. The best reason Carol comes up with for fighting to stay alive is this: “If I’m going to Hell, I’m going to put it off for as long as I can.” Sounds good to me.

Carol and Daryl run into Noah, the guy Beth helped escape from Doctor Without Morals in “Slabtown.” Shortly thereafter, Carol gets run down by one of their cars, and taken in to be treated for the injuries they just afflicted on her. Whether or not it was on purpose is up in the air for now; Carol did just run out into the street, and it doesn’t make sense for Doctors Without Morals to hurt people just to bring them in, heal them, and then keep them… unless, that’s the only way they think they can get people to stay is if the people “owe” them…which, knowing the Walking Dead, is probably true so there we go. Daryl takes Noah and the two head back to Rick’s Rebels so they can plan a proper attack.

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The other episode, “Self Help” follows Brain-Mullet group as they head to Washington. I loved “Self Help.” We get so many golden jewels from Mr. Mullet as he explains why he has the mullet: “Because I like it. The smartest man I ever met happened to love my hair…He said my hair made me look like, and I quote ‘A fun guy,’ which I am.” I think this guy is so smart he doesn’t know the simple things, like what “fun” actually means.

Then we discover his voyeuristic tendencies as he “again” watches Abraham and Rosita get horizontal. Throwing in “again” can add so much more to a sentence. He also sabotages the party bus to Washington (which he freely admits to Tara, voicing concerns that no one likes him or would help him if he didn’t have the cure. THAT! That right there might as well have been a huge neon sign above his head reading “I’m lying about knowing a cure.”

And…he is! Mr. Mullet comes out and admits to Brain-Mullet crew that he doesn’t know the cure, and he’s not even a doctor, just a really good liar! Oh my, oh my, oh my. Abraham loses his shit and punches Mr. Mullet out- or kills him. He looks kind of dead at the end, but I hope he’s alright. He’s so much more interesting now, and this totally makes sense about his hair comment. No one ever told him that. He’s just a weirdo who likes having a mullet. Ha! I love it.

Other Awesome/Nail Biting Scenes:

  • Using the fire truck to hose down and kill the zombies.
  • Carol and Daryl falling off the overpass in the van.
  • Beth stuck in the office with Rapey McRaper. 
  • The numerous, subtle bits of acting from Norman Reedus and Melissa Mcbride. Good stuff!

This is the Action Flick Chick, and you’ve just been kicked in the ass!

Dale’s Deeds by Alex Langley.

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I Gotta Go, Julia. We Got Cows: Bad Weather Movies!

Oh, the weather outside is frightfulbut these movies are so delightful. It’s November; soon it’s going to be cold and icy, and odds are, you’re going to be spending most of your time inside very soon. If you feel yourself start to get a little bit of cabin fever, cursing the very weather that condemned you to your home-y prison, try popping in one of the following movie to remind you that no matter how bad the weather gets, it can always get worse.


Twister

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It’s said that there are three kinds of stories: man vs. man, man vs. machine, and Bill Paxton vs. tornadoes. This film uses some of the best in blurry ’90s CG to show the destructive effects a twister can have on homes, theater screens and cows. Battling these sucky forces of nature are Bill “Game Over Man” Paxton and Helen “Mad About You” Hunt, two ragtag weather nerds leading a group of equally ragtag weather nerds in their quest to better understand these windy vortexes of doom.

Weather ostensibly serves as the film’s antagonist, though the writers felt motivated to include a human enemy in the form of Cary Elwes’ character, a rich scientist who isn’t in it for the science, he’s in it for the money. While Team Hunxton’s heart is in the right place, I’ve never quite understood their animosity towards Elwes and his crew of black-clad scientists. So what if they’re “in it for the money”? Researching tornadoes is a dangerous job! If they want to risk their necks to study them, they deserve to get paid a lot to do it.


The Perfect Storm

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Ignoring warnings of an impending superstorm, George Clooney and Mark Wahlberg go fishing and end up in a craptastically bad situation because of it. Marky Mark and Danny Ocean have to work with their crew to survive, battling monstrous tidal waves, torrential rains, and John C. Reilly’s tendency to mug for the camera. Ultimately, only Wahlberg’s character survives, proving true the old adage: “If you go fishing with George Clooney, you’re probably going to die.”


The Day After Tomorrow

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If there’s one thing moviemaker Roland Emmerich seems to enjoy doing, it’s screwing over the Earth. Aliens blew up much of it in Independence Day, it got pretty much destroyed in 2012, and it got turned into an ice cube in The Day After Tomorrow. When it comes to extreme weather, The Day After Tomorrow is the extremest to the max. It has hurricanes, flash-freezing, and tsunamis out the wazoo, and keeps a high-speed barrage of shiny special effects moving to help distract the audience from the relatively threadbare storyline and character development. Rumor has it that The Day After Tomorrow was the culmination of a series of ideas Emmerich had about bad weather movies. Some of his rejected titles include Hard Rain, a movie about Tommy Lee Jones battling an afternoon of heavy rainfall, It Might Snow, where Sigourney Weaver plays a Navy Seal on shore leave who has to keep her Florida town calm when they think it might snow there, and Piranhail, where mutant piranhas get sucked up into a storm system and come raining down as icy shards of teeth and death. The only man who can stop them is marine biologist/meteorologist Dean Cain.

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Five Actors Who Make Their Living Playing the Same Role Repeatedly

Most actors, when they’re young and hungry to perform, will take any part that gets offered to them, regardless of how comfortable they may be playing the part. As they get a little older, more experienced, and more successful, however, some thespians slip into a comfortable groove; they’ve realized the kind of actor they are and the kinds of qualities they’re good at bringing to life, and they don’t really care to break the mold. While many thespians are skilled men and women with a thousand faces and souls behind their performances, this list is dedicated to those folks who know what they’re good at and (generally) stick to it.


Will Ferrell

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Character: An oblivious, loud-mouthed buffoon who revels in his own ignorance.

Examples: Anchorman: The Legend of Ron Burgundy, Blaze of Glory, Semi-Pro, Step-Brothers, The Campaign.

In his years since leaving SNL Ferrell’s made quite the name for himself in the comedy field. After several successful (and not-so-successful) films he’s returning to the role that made him a star— Ron Burgundy. Whether this sequel will live up to the legend of its predecessor remains to be seen, but either way there’ll probably be more than a few good laughs to be found there.

Exception that proves the rule: Stranger than Fiction


Owen Wilson

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Character: A smart, smooth-talking, down-to-Earth guy who just wants to kick back with everyone and let the good times flow.

Examples: Zoolander, Meet the Parents, Wedding Crashers, The Internship

Like Will Ferrell, Owen Wilson has a penchant for starring in comedies as the same character— and why shouldn’t he? Comedies are about collaboration, and an easy way to find the punchline is to find what you’re best at and stick to it so everyone else can play off of you. Wilson’s home-brewed charms may wear thin for some, but his frequent collaborations with Wes Anderson have shown that he’s not afraid to do something different.

Exception that proves the rule: The Darjeeling Limited


Bruce Willis

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Character: A sarcastic, rough-around-the-edges hero with a smart mouth and a bald heart of gold.

Examples: Die Hard, The Fifth Element, Armageddon, RED, GI Joe: Retaliation, The Whole Nine Yards

If anyone has made a career out of not breaking out of their comfort zone, it’s Willis. He’s been a Hollywood powerhouse for over three decades, churning out hit movie after hit movie, but time and time again he falls back on playing John McClane, sometimes only in spirit, sometimes literally. But he’s so damn good at playing McClane/McClanesque characters that audiences eat it up, and he always manages to bring something fun to the screen.

Exception that proves the rule: The Sixth Sense


Michael Cera

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Character: A fast-talking, quick-witted guy with a tendency towards being really, really twitchy.

Examples: Arrested Development, Superbad, Juno, Nick & Nora’s Infinite Playlist

Now, while it’s popular to point at young actors like Michael Cera or his frequent co-star, Aubrey Plaza, and belittle the fact that they’re always playing the same character, here’s something you need to remember: they’re young, and relatively new to Hollywood. When people hire actors it’s generally so they can do the same thing they’ve successfully done before; only later in their lives do actors usually get a chance to break away and do something different. Plus, when you’re as good as being twitchy and witty as Michael Cera is, seeing him do it repeatedly isn’t that big of a deal.

Exception that proves the rule: Scott Pilgrim vs. The World, This is the End


Will Smith

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Character: A fast-talking, streetwise guy who is good at what he does and looks good doing it.

Examples: Men in Black, Wild Wild West, Independence Day, I Robot, Hitch

For a while, there, Will Smith was the undisputed king of the box office, with most of his projects easily breaking the $300 million dollar mark in sales. Lately his films haven’t been doing so well, but that doesn’t tarnish his long history of starring in big-budget movies that appeal to pretty much everyone (and to star as the same guy in every one of them, and he’s almost always named James, for some reason.) He’s got plenty of dramatic chops to go along with his box office success, however, and has proven himself as a thespian more than any of the other fellows on this list.

Exception that Proves the Rule: Ali, The Legend of Bagger Vance, The Pursuit of Happyness, I am Legend, and whatever the hell was going on with him in After Earth, not that I saw that piece of crap.

 

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